The Song Retains the Name by PenningtonJ

(1) a song written by Gwen Stefani about her frustrations with the infidelity of her ex-boyfriend (and her band's bassist) Tony Kanal; (2) a top 30 hit for Spanky & Our Gang that led songwriter Margo Guryan to write "Spanky and Our Gang" as a "thank you" for all the royalties she got for this song; and (3) the opening track on the Velvet Underground's debut, which features John Cale playing a glockenspiel

(1) a Queen song performed during the first season of Glee by New Directions as the second song at Invitationals; (2) another song performed on the second season of Glee by "the Justin Bieber Experience"; and (3) a song originally written by guitarist Darby Slick for the Great Society but which his sister-in-law made into a Top 5 hit for another band

(1) the second hip-hop single from 2001's The Blueprint, in which the rapper promises to "Holla at ya when I come off tour..."; (2) the title song from a 1962 film that saw Elvis Presley co-star with Stella Stevens; (3) a song in which Liz Phair brags "I take advantage of every man I meet"; and (4) a 1980s hair metal song that includes references to multiple strip clubs in Los Angeles, Atlanta, and Fort Lauderdale.

(1) the opening track of the 1981 album October, which features a verse in Latin taken from a Catholic mass; (2) a #2 US hit in 1982 translated from an earlier Italian hit love song by Umberto Tozzi; and (3) a frequently covered 1960s garage rock staple that climaxes with the lead vocalist spelling out the title letter by letter

(1) a 1994 R&B hit about a hidden affair that popularized the term "keep it on the down low"; (2) a 1993 hit by a U.S. band often mistakenly titled "Half the Man I Used to Be"; and (3) a 1992 hit by a U.K. band with a radio-friendly U.S. version that changed its lyrics from "so fucking special" to "so very special."

(1) a 1995 Tears for Fears song played over Sparkle Motion doing their routines in slow-motion in the movie Donnie Darko; (2) the highest charting single from the album Talk Show, which gave The Go-Go's their last Top 20 hit; and (3) a 2015 song by J.D. McPherson about how he's got a "heart like a hurricane."

(1) a 1938 song by Hoagy Carmichael that inspired a common piano exercise with a repeating I-vi-ii-V chord sequence; (2) a U.S. one-hit wonder from 1987 for a UK band named after a Vulcan Star Trek character; and (3) a Huey Lewis & the News song about a woman who gets "hot loving every night"

(1) the lead single from the self-titled 1997 debut album by Savage Garden; (2) the closing track on side one of the Beatles, Abbey Road LP; and (3) the last song Bob Dylan recorded for his Blonde and Blonde album

(1) a movement dedicated to "the Bringer of Peace" in a 7-part orchestral suite; (2) a 1959 teen idol hit in which the singer asks somebody to send him "a little girl for me to love"; (3) an international hit by a Dutch pop group, nicknamed "Shizgarah" by Russian hippies in the early 1970s

(1) a Byrds song influenced by the raga of Ravi Shankar that appeared as the B-side to "Eight Miles High"; (2) a protest song by the rapper Jadakiss that mentioned the 9/11 attacks and the election of Arnold Schwarzenegger; and (3) a Yoko Ono song that John Lennon issued as the B-side of "Mother," which featured Ono repeatedly screaming the title

(1) a New Wave group's collaboration with a Eurodisco producer that became the theme to a movie about a male prostitute; (2) the title track of a 1973 Al Green album with the parenthetical title "(Come Back Home)"; and (3) a Shirley Bassey song later revived by the Mike Flowers Pops on the soundtrack to the first Austin Powers movie

(1) a song originally written by Harry Nilsson, whose opening notes were inspired by the beeping tones of a busy signal; (2) a heavy metal song with a 1989 video that featured extensive snippets of dialogue from the 1971 film Johnny Got His Gun; and (3) a post-disco comeback single that provided the Bee Gees with their only Top Ten US hit of the 1980s