Professional wrestling has long had it's own lingo used by insiders in "the business". This lingo was derived from the carnival days. For the longest time, the general public was ignorant of this insider lingo. Today, thanks to the internet, this lingo is no longer a secret to outsiders. Below, a short bios of famous historical figures. The twist here is that these bios will be in pro wrestling lingo rather than plain English. If you are familiar with this lingo, I hope you get a kick out of this, if you are not, you should be able to get the idea based on context. Name the historical figure(s) that is being described.
| Rank | Player | Total | %ile | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Money Value (% Incorrect): | 04 | 44 | 10 | 84 | 70 | 17 | 00 | 70 | 07 | 44 | 47 | 90 | |||
| 1 | Sijnaanik | 538 | 98 |
15 |
15 |
15 |
15 84 |
15 70 |
15 |
15 |
15 70 |
15 |
15 44 |
15 |
15 90 |
| 2 | FrankensteinP | 402 | 95 |
15 04 |
15 44 |
15 |
00 |
00 |
15 |
15 |
15 70 |
15 |
15 44 |
15 |
15 90 |
| 3 | SchroederS | 358 | 91 |
15 |
15 |
15 |
15 84 |
00 |
15 |
15 |
15 70 |
15 07 |
15 |
15 47 |
00 00 |
| 4 | MartaMJackson | 325 | 88 |
15 |
15 44 |
15 |
00 |
00 |
15 17 |
15 |
00 |
15 07 |
00 |
15 47 |
15 90 |
| 5 | letouj | 320 | 85 |
15 |
15 |
15 |
00 |
00 |
15 17 |
15 |
15 70 |
15 07 |
15 44 |
15 47 |
00 |
| 6 | Vintsanity | 285 | 81 |
15 |
00 |
15 10 |
15 84 |
00 |
15 17 |
15 |
00 |
15 07 |
15 |
15 47 |
00 |
| 7 | AmmermanA | 276 | 78 |
15 |
15 |
15 |
00 |
15 70 |
15 17 |
15 |
00 |
15 07 |
15 |
15 47 |
00 00 |
| 8 | Hawklaw | 274 | 75 |
15 04 |
15 44 |
15 |
00 |
00 |
00 |
15 |
15 70 |
15 07 |
15 44 |
00 |
00 |
| 9 | WolfsbergE | 267 | 71 |
15 |
15 44 |
15 10 |
15 84 |
00 |
15 17 |
15 |
00 |
15 07 |
00 |
00 |
00 |
| 10 | HensleyB | 258 | 68 |
15 |
15 44 |
15 |
00 00 |
15 70 |
15 17 |
15 |
00 |
15 07 |
00 |
15 |
00 |
| 11 | VenguswamyK | 255 | 65 |
15 |
00 00 |
15 |
15 84 |
15 |
15 |
15 |
00 |
15 07 |
15 44 |
00 |
00 00 |
| 12 | Natasha | 253 | 61 |
15 |
15 44 |
15 10 |
00 |
15 70 |
15 17 |
15 |
00 |
15 07 |
00 |
00 |
00 |
| 13 | HowellT3 | 245 | 58 |
15 |
15 |
15 10 |
00 |
00 |
15 17 |
15 |
00 |
15 07 |
15 44 |
15 47 |
00 |
| 14 | KreitzerJ | 244 | 55 |
15 |
00 00 |
15 10 |
00 |
15 70 |
15 |
15 |
00 |
15 |
15 44 |
15 |
00 00 |
| 15 | EdwardsT | 243 | 51 |
15 |
15 44 |
15 |
00 |
15 70 |
15 17 |
15 |
00 |
15 07 |
00 |
00 |
00 00 |
| 16 | fritzatron | 240 | 48 |
15 04 |
15 44 |
15 |
00 |
00 |
15 17 |
15 00 |
15 70 |
15 |
00 |
00 |
00 |
| 17 | LanceJ | 236 | 45 |
15 |
00 00 |
15 |
00 |
00 |
15 17 |
15 |
15 70 |
15 |
15 44 |
00 00 |
00 |
| 18 | AllenJ | 229 | 41 |
15 |
00 00 |
00 |
00 |
15 70 |
15 |
15 |
00 |
15 07 |
15 |
15 47 |
00 00 |
| 19 | StahlhutJ | 222 | 38 |
15 |
15 |
15 |
00 |
00 00 |
00 00 |
15 |
15 70 |
15 |
00 |
15 47 |
00 00 |
| 20 | KroegerJ | 213 | 35 |
15 |
15 |
15 10 |
00 |
15 |
15 17 |
15 |
00 |
15 07 |
15 44 |
15 |
00 00 |
| 21 | HatfieldS | 168 | 31 |
15 |
00 |
15 10 |
00 |
00 |
15 17 |
15 |
00 00 |
15 07 |
15 44 |
00 |
00 |
| 22 | FrostL | 166 | 28 |
15 04 |
00 00 |
15 10 |
00 |
00 |
00 |
15 |
15 70 |
15 07 |
00 |
00 |
00 |
| 23 | MangaserA | 158 | 25 |
15 |
00 |
15 |
00 |
00 |
15 17 |
15 00 |
00 00 |
15 07 |
15 44 |
00 |
00 |
| 24 | ElendilPickle | 150 | 21 |
15 04 |
00 |
00 |
00 00 |
00 |
15 17 |
15 |
00 |
15 07 |
00 |
15 47 |
00 |
| 25 | KulkarniM | 146 | 18 |
15 |
00 |
15 10 |
00 00 |
00 |
15 17 |
15 |
00 |
00 00 |
15 44 |
00 |
00 |
| 26 | SpencerJ2 | 143 | 15 |
15 04 |
15 |
15 10 |
00 |
00 |
15 17 |
15 |
00 |
15 07 |
15 |
00 |
00 00 |
| 27 | PolinskyL | 124 | 11 |
00 |
15 |
15 10 |
00 |
00 |
15 17 |
15 |
00 00 |
15 07 |
00 |
15 |
00 00 |
| 28 | ZellwegerS | 114 | 8 |
15 |
00 00 |
00 |
00 |
00 |
00 |
15 00 |
00 00 |
15 07 |
00 |
15 47 |
00 |
| 29 | BoyerA | 113 | 5 |
15 04 |
00 |
15 10 |
00 |
00 |
15 17 |
15 |
00 00 |
15 07 |
00 |
00 |
00 |
| 30 | SeigelK | 59 | 1 |
15 04 |
00 |
15 10 |
00 |
00 |
00 |
15 00 |
00 00 |
00 00 |
00 |
00 |
00 |
This "totally over" legend is still "the face of the franchise" for billions of marks. Huge gate draw that still produces high merch sales. Not afraid of color. Retired circa 33 A.D.
Despite his exotic gimmick and minimal ring gear, this worker is totally over among smart-marks in California. Finishing move: the Lotus.
This diva has been booked in many notable angles. She got her main company push with the assassination of Pompey angle, after which she became a main event draw.
Known as one of the best talkers in the business. He worked as a heel in the Manichean stable for many years. That is, until his famous face turn, much to the delight of his mother. Once cut a jabroni promo that had something to do with pears and pigs.
One of the hardest workers in the business, this guy was always on the road. Often booked with jobbers with exotic foreign gimmicks. Very popular with young marks. On hot summer days you might hear his name.
(NEED TWO NAMES) These two workers were the biggest main event draw in their day, generating serious heat and loud pops from crowds. For years, these two worked several angles ranging from successful tag team runs to bitter bloody feuds. Coincidently, both men exited the business 50 years to the day of their most famous pay-per-view event.
Promoters once thought that this kid was too tall to make it in the business. Struggled for many years as a mid-card jabroni in the Illinois territory using "The Rail Splitter" gimmick. Finally made the big time, cut a very memorable promo in a cemetery, and is now considered one of the greatest workers of all time.
The original "mania", brother! This whitemeat babyface was totally over with female marks. Toured Europe frequently and promoters knew that booking this guy meant big time gate at house shows. Trained by Carl Czerny and Antonio Salieri.
Known for his great skills on the mic. Cut many notable promos one year. Mainly worked in Mid-western territories. Turned heel. Final angle: feud with Clarence Darrow.
One of the most popular divas in her day, this woman's gimmick involved a catchy two word name and ring gear that consisted of only wearing a bra and heavy jewelry. Unfortunately, when she met her end, that was no work, it was a shoot.
Entered the business using the "Tailgunner" gimmick. Struggled for years as a mid-card performer until a key promo in 1950 launched his career as one of the biggest heels of the 1950s. Generated serious heat from crowds. Violated the company's wellness policy several times, and like so many workers in the business, died prematurely.
Part of the infamous CREEP stable, this worker was fired by "The Authority" in 1973 for breaking kayfabe and exposing the business. Now retired, he often makes media appearances to "shoot" on figures from this rated TV-14 era.